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Thomas C. Howe. "Vertumnus and Pomona by François Boucher." California Palace of the Legion of Honor Bulletin , n.s., 1, no. 5 (March and April 1968), unpaginated, fig. 9, notes that the subject is virtually identical with that of a painting in the collection of Count Natale Labia (Cape Town); suggests that this enlarged version may be the one that Boucher is supposed to have undertaken in 1757 .
François Boucher: Lista de trabalhos - Todas as obras de arte por data 1→10.
François Boucher. Paris, 1889, pp. 54–55 n. 1. L. Soullié in collaboration with Charles Masson in André Michel. Catalogue raisonné de l'oeuvre peint et dessiné de François Boucher. Paris, [1906], p. 19, no. 283, describe it as a portrait of Madame de Pompadour in the guise of Venus. Georges Pannier in Pierre de Nolhac.
François Boucher was a member of an extraordinarily talented generation of artists born around 1700 who would dominate French painting for much of the eighteenth century. [1] Heir to the grand manner of seventeenth-century art, Boucher nevertheless created a style and repertory of subject matter that was perfectly compatible with the intimate ...
La toilette was commissioned from Boucher by Count Karl Gustan Tessin, the Swedish ambassador in Paris to the court of Louis XV between 1736 and 1742. The Count was one of Boucher’s patrons and also owned The Triumph of Venus by the artist as well as works by Chardin, Lancret and Lemoyne. In 1745 he commissioned a series of the Hours of the ...
François Boucher (n.29 septembrie 1703, Paris - d. 30 mai 1770, Paris) a fost un pictor francez, reprezentant al stilului rococo, portretist remarcabil, renumit pentru picturile sale idilice și senzuale, cu tematică bucolică sau alegorică.Reflectare fidelă a vieții de curte a Franței din timpul domniei regelui Ludovic al XV-lea, opera lui exprimă gusturile societății, atmosfera și ...
François Boucher, que era tan libre como virtuoso a la hora de utilizar su repertorio de composiciones y objetos, era capaz de producir paisajes casi en serie de estilo campestre. Así, por ejemplo, existen múltiples correspondencias compositivas y temáticas entre las obras Paisaje fluvial con templo antiguo y Paisaje fluvial con noria y templo , de 1743.
