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Palazzo Strozzi presents Helen Frankenthaler: Painting without Rules, an ambitious presentation of the poetic abstractions of one of the most significant American artists of the twentieth century whose work has rarely been exhibited at such scale in Italy.. This survey examines Helen Frankenthaler’s artistic affinities, influences, and friendships by interweaving paintings created between ...
12 de mar. de 2021 · Helen Frankenthaler, Mountains and Sea, 1952. ©2020 Helen Frankenthaler Foundation/Artists Rights Society (ARS), New York/Photo National Gallery of Art, Washington, D.C./Collection of Helen ...
En el otoño de 1952, a la edad de veintitrés años, Helen Frankenthaler realizó su legendaria pintura Montañas y mar, la primera obra en la que utilizó su famosa técnica a base de "manchas de color absorbidas".Diluyendo la pintura con trementina o queroseno, la artista desarrolló una técnica que permitía que el lienzo sin imprimación filtrara y absorbiera la pintura.
29 de sept. de 2017 · By 1952, however, when Greenberg was looking for a next step beyond the gestural application of Abstract Expressionism, Frankenthaler showed him a new kind of picture she had made through a pouring method she had developed—which she dubbed the “soak-stain.”. Frankenthaler would thin oil paints with turpentine (later, she would thin ...
Helen Frankenthaler. De informatie in deze infobox is afkomstig van Wikidata. U kunt die informatie hier bewerken. Helen Frankenthaler ( New York, 12 december 1928 – Darien (Connecticut), 27 december 2011) was een Amerikaanse schilder. Ze was een belangrijke vertegenwoordigster van het abstract expressionisme en Colorfield Painting .
11 de jun. de 2024 · Helen Frankenthaler (December 12, 1928 – December 27, 2011) was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work.
Frankenthaler’s works are large in scale and often feature expansive areas of paint.The artist developed a painting technique in which she thinned pigments with turpentine so that they soaked through and stained the unprimed canvas instead of resting on the surface. The images and colors then become embedded in the fabric of the canvas, making the paintings resemble giant watercolors.
