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The Nam June Paik Archive is a blend of traditional paper holdings (letters, writings, ephemera) and objects (studio effects, recordings, vintage electronics and other source materials).Each aspect of the collection gains strength from the other, and together they present a fascinating picture of the artist’s life, work and creative process.
Nam June Paik was an American-Korean artist widely credited as the founder of video art. “I want to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock, and as lyrically as Jasper Johns,” he declared in his 1969 manifesto.Born on July 20, 1932 in Seoul, Korea, he moved with his family to ...
Nam June Paik, 1986. Photo by Rainer Rosenow. In 1964 Paik moved to New York and continued his explorations of television and video, and, by the late 1960s, was at the forefront of a new generation of artists creating an aesthetic discourse out of television and the moving image.
3 de mar. de 2022 · Nam June Paik. 世界で初めてテレビやビデオを用いたアート作品を発表し、様々なメディアを用いた「ビデオアートの創始者」として知られる韓国系アメリカ人の現代美術家ナム・ジュン・パイクは、韓国、日本、ドイツ、そしてアメリカで活躍した国際的でマ.
7 de oct. de 2012 · «Video Tape Study No. 3». 1967—1969, 04:00«Beatles Electroniques». 1966—1969, 03:00«Electronic Moon No. 2». 1969, 04:30«Electronic Fables». 1965—1971 ...
Seúl, Corea del Sur, 1932 - Miami, EE.UU., 2006. Mirage Stage hace referencia a la idea de escenario teatral, no solo por su estructura y disposición, sino también por su monumentalidad y frontalidad. La pérdida de los límites del escenario que protagonizara el propio Nam June Paik en sus performances de los años sesenta, encuentra en ...
Nam June Paik transformed video into an artist’s medium with his media-based art that challenged and changed our understanding of visual culture. As Paik wrote in 1969, he wanted “to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock and as ...
