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Victor Brecheret, nacido como Vittorio Breheret fue un escultor ítalo-brasileño, considerado uno de los más importantes de Brasil. Fue responsable de la introducción del modernismo en la cultura y escultura brasileña. A pesar de ser uno de los principales artistas de la vanguardia, Brecheret nunca abandonó su formación artística clásica, ligada al arte greco-romano y renacentista.
El Monumento a las Bandeiras es una obra de arte levantada en homenaje a los bandeirantes, quienes exploraron los sertones durante los siglos XVII y XVIII. Es obra del escultor Victor Brecheret y se ubica en la ciudad de São Paulo,Brasil. Fue inaugurada en 1953 como parte de las celebraciones por el IV centenario de la ciudad. El monumento se ubica en la Plaza Armando de Salles Oliveira y ...
Victor Brecheret was one of the most eminent artists of São Paulo. He received numerous commissions for public sculptures and also religious works. His pieces are held in the collections of the main museums in Brazil. Untitled, n.d. bronze and marble 13 x 4 ¼ x 5 ⅛ inch [33 x 10,9 x 12,9 cm]
Victor Brecheret 1920. Museu Catavento São Paulo, Brazil. Obra exibida na Semana de 22. Details. Title: Cabeça de Cristo; Creator: Victor Brecheret; Date Created: 1920; Get the app. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Victor Brecheret. Modernism
Brecheret's trajectory from one side of the Atlantic to the other is curious. That of an Italian immigrant artist whose works sometimes resurface as a reminder of his talent and his legacy to his two adopted countries: Brazil and France.Vittorio Breheret (without the letter "C" in his last name) was born in Italy, in the city of Farnese. His family moved to Brazil when he was 10 years old.
‘Monument to the Bandeiras’ was created in 1954 by Victor Brecheret in Modernismo style. Find more prominent pieces of sculpture at Wikiart.org – best visual art database.
Bronze sculpture representing two human figures, with one more feminine, with braids, and another masculine in front. Rectangular granite base. Inspired by the work Livro de horas de Sóror Dolorosa (1920) of Guilherme de Almeida, the sculpeture was exposed by Brecheret in Semana de Arte Moderna de 1922, at the Municipal Theatre of São Paulo.
