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  1. Playhouse 90 je bila američka televizijska antologija koja se emitirala na programu TV-mreže CBS od 1956. do 1961. Ime (doslovno: "Kazalište 90") je dobila po tome što su pojedine epizode, odnosno TV-drame za razliku od dotadašnjih TV-antologija trajale 90 umjesto 60 minuta. To je autorima omogoćilo daleko veću kreativnu slobodu, odnosno ambicioznije projekte poput ekranizacija ...

  2. 30 de jul. de 2022 · Playhouse_90--The_Comedian Run time 1:10:41 Scanner Internet Archive HTML5 Uploader 1.7.0 Sound sound Year 1957 . plus-circle Add Review. comment. Reviews There are no reviews yet. Be the first one to write a review. 2,965 Views . 18 Favorites. DOWNLOAD OPTIONS ...

  3. 25 de dic. de 2020 · Description: This two part episode of Playhouse 90 retells Ernest Hemingway’s classic novel of the Spanish Civil War. An American allied with the Republicans...

  4. S1.E12 ∙ The Family Nobody Wanted. Thu, Dec 20, 1956. A true story, it follows a pastor and his wife through forties beginning with one biological child, Donny. But the upheaval of the war years results in a number of mixed raced children that the Doss family adopt until they have 12 children. Rate.

  5. Playhouse 90 (TV Series) is a TV Series directed by John Frankenheimer, Franklin J. Schaffner ... with Richard Joy, Charles Bickford, Kim Hunter, Peter Lorre .... Year: 1956. Original title: Playhouse 90. Synopsis: Playhouse 90 is a 90-minute dramatic television anthology series, telecast on CBS from 1956 to 1961 for a total of 133 episodes.

  6. The most ambitious and acclaimed of all the anthology series', Playhouse 90 was in a league of its own. "Requiem of a Heavyweight," written by Rod Serling, garnered numerous Emmys and remains one of the best live dramas. Each week the series aired a complete 90 minute live drama. The list of talents is amazing: John Frankenheimer, Arthur Hiller, John Brahm, Arthur Penn were a few of the directors.

  7. 17 de mar. de 2024 · Playhouse 90’s casting director, Ethel Winant, was one of the most influential women behind the camera in early television; although she never received credit as such, Winant was in effect Playhouse 90’s “invisible producer” (in John Houseman’s words), advising on matters outside of casting and functioning as a liaison to the network.

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