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  1. 1 de jun. de 2024 · Clarence "Gatemouth" Brown was one of the most jazz-oriented of bluesmen, a colorful guitarist and a primitive but swinging fiddler. On this release he includes many instrumental sections in his performances including four all-out boppish jazz jams ("Digging New Ground," "C-Jam Blues," "The Peeper" and the stomping "We're Outta Here").

  2. Clarence "Gatemouth" Brown; Gatemouth nel 1996 ; ... 1992 No Looking Back (Alligator) 1994 The Man (Verve/Gitanes) 1996 Long Way Home (Verve/Gitanes) 1997 Gate Swings (Verve/Gitanes) 1999 American Music, Texas Style (Verve/Blue Thumb) 2001 Back to Bogalusa (Verve/Gitanes) 2004 Timeless (Hightone)

  3. 15 de ene. de 1992 · Listen to No Looking Back by Clarence "Gatemouth" Brown on Apple Music. 1992. 11 Songs. Duration: 41 minutes. Album · 1992 · 11 Songs ...

  4. No Looking Back》은 1992년에 발매된 미국의 음악가 클라렌스 "Gatemouth" Brown의 음반입니다. 브라운은 북미 투어로 앨범을 지원했습니다.이 음반은 그래미상 "최고의 전통 블루스 음반" 부문에 후보로 올랐습니다.이 앨범은 짐 베이트먼과 브라운이 제작했습니다.

  5. No Looking Back. Clarence "Gatemouth" Brown. 11 SONGS • 41 MINUTES • JAN 01 1992. Play. Purchase Options. TRACKS. TRACKS. DETAILS. DETAILS. TRACKS. DETAILS. 1. Better Off With The Blues. ... Whatever you do, don't refer to multi-instrumentalist Clarence "Gatemouth" Brown as a bluesman, although his imprimatur on the development of Texas ...

  6. Clarence Brown auf dem Long Beach Blues Festival 1996 Gatemouth Brown auf dem New Orleans Jazz & Heritage Festival 1992. ClarenceGatemouthBrown (* 18.April 1924 in Vinton, Calcasieu Parish, Louisiana; † 10. September 2005 in Orange, Texas) war ein US-amerikanischer Blues-Gitarrist, der jedoch auch andere Instrumente und Musikstile beherrschte.

  7. 10 de sept. de 2005 · Clarence "Gatemouth" Brown's music doesn't elude categories. It embraces them. "An eclectic, a genre-weaver," says The Boston Globe. "Jazz, blues, bluegrass, zydeco, cajun and calypso all fit into his panoramic worldview." Gate is a multi-instrumentalist (guitar, violin, harmonica, piano, mandolin, viola and drums), but perhaps the most ...

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