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Wendy Carlos (born Walter Carlos, November 14, 1939) is an American musician and composer best known for her electronic music and film scores.. Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University.Studying and working with various electronic musicians and technicians at the ...
Wendy Carlos has been called the most important living figure in the history of electronic music.In 1964, as a young music and physics graduate, she met Robe...
28 de abr. de 2000 · The March from Clockwork Orange (ending of Beethoven's 9th, 4th movement) sounds like it was played with a click track by a sewing machine. Carlos' early work is pivotal, fantastic, revolutionary; then came the Brandenburgs set, which I think I played once.
7 de dic. de 2006 · "Timesteps", was inspired by Carlos' reading of the novel "A Clockwork Orange" and consists of a melange of short, atmospheric pieces - melodic, rhythmic, disturbing, surging and ebbing in turn. "Country Lane" is a shorter piece and was composed (but ultimately not used) for the scene in the film where Alex is taken into the country and savagely beaten by his former 'droogs' - now policemen.
Clockwork Orange (the complete Carlos filmscore, including all of TimeSteps, in our new Optimum Remastered Edition.) = ESD 81362 = First time ever on CD! Optimum transfers from the original 1972 1/2" and 1/4" master tapes. Includes two newly available tracks.
Watch on YouTube. Lejos de tirar a la basura su trabajo, Walter Carlos compiló en un álbum los temas descartados por Kubrick, y tres meses después del estreno de la película, lanzó en 1972 a través de la discográfica CBS Columbia, su versión personal de la banda de sonido con el título de “Walter Carlos’ Clockwork Orange.
26 de abr. de 2024 · In 1971, Carlos wrote the music for Stanley Kubrick's controversial film A Clockwork Orange, introducing the vocoder -- an electronic device designed to synthesize the human voice -- in her score. After 1976's Brandenburg Concertos 3-5, Carlos again worked with Kubrick, providing the score for his 1980 adaptation of Stephen King's The Shining.
