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  1. Esper Studio’s Two-Year Professional Actor Training Program provides training in the Meisner Technique and a full offering of conservatory-style classes. In the Two-Year Program, students attend classes a minimum of two days per week, and may attend as many as five or six days per week depending on their choice of program and scheduling.

  2. The Summer Intensive is designed to introduce actors to the methods of training employed by the Studio, built on the foundations of the Meisner Technique. For students who wish to continue their training in the Fall or Winter, it provides a strong send-off for the Two Year Program.

  3. The William Esper Studio is authorized under federal law to enroll non-immigrant students who obtain M-1 class visas. The Esper Studio issues I-20s in order for applicants to obtain M-1 visas at the American Consulate in their home countries. After their interview, international student applicants must submit:

  4. William Esper. In Memoriam (1932-2019) William Esper was the head of his own studio in New York City since 1965, as well as director of the Professional Actor Training Programs at Mason Gross School of the Arts, Rutgers University since their inception in 1977.

  5. Students accepted into programs at the William Esper Studio may also be interested in temporary housing options (not affiliated with the Studio). 208 W 37th Street, New York, NY 10018; Email Us; Phone: 212-904-1350; Fax: 212-904-1349; Leave this field empty if you're human: Programs. Two-year Program; Summer Intensive;

  6. For more info visit William Esper Studio Inc, or call 212-904-1350. Contact us for more info about our acting school and acting courses in New York. Apply Now 212-904-1350

  7. An Interview with William Esper. In this in-depth interview, studio founder William Esper talks in detail about how acting is taught at the studio, covering the skills and techniques students will learn in both the first and second years of their training. From the book The New Generation of Acting Teachers (Penguin), by Eva Mekier. Read More