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  1. 5 de oct. de 2012 · Subscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnSubscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDeLike us on FACEB...

  2. Manchester 1976: Cambridge educated Tony Wilson (Steve Coogan), Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then the Happy Mondays, who become seminal artists of their time. What ensues is a tale of music, sex, drugs ...

  3. 24 Hour party people se centra en la vida del periodista, productor musical y dueño de un club nocturno Tony Wilson para describir la escena musical de Manchester, Inglaterra a final de la década de los 80s.

  4. Manchester 1976: Cambridge educated Tony Wilson (Steve Coogan), Granada TV presenter, is at a Sex Pistols gig. Totally inspired by this pivotal moment in music history, he and his friends set up a record label, Factory Records, signing first Joy Division (who go on to become New Order) then the Happy Mondays, who become seminal artists of their time. What ensues is a tale of music, sex, drugs ...

  5. 7 de dic. de 2009 · An ingenious docudrama on the Manchester music scene of the 1980s and '90s. 24 Hour Party People traces the rise and fall of bands like Joy Division, New Ord...

  6. 24 Hour Party People. Blown away by a local band called the Sex Pistols, Tony Wilson (Steve Coogan) invent a uniquely anarchic record label, Factory Records. Soon he's promoting everyone from New Order to Happy Mondays and capturing the musical madness of Manchester! Blown away by a local band called the Sex Pistols, Tony Wilson (Steve Coogan ...

  7. Pues así es “24 hour party people”, al principio mola mucho, y al final ya no tanto. La música muy buena por cierto, y a la dirección le pasa lo mismo que a la película, al principio es muy potente, pero por ser tan excesiva termina cansando. BrunoLD ¿Te ha resultado interesante y/o útil esta crítica?