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  1. One of the greatest films about film ever made, Federico Fellini’s marks the moment when the director’s always-personal approach to filmmaking fully embraced self-reflexivity, pioneering a stream-of-consciousness style that darts exuberantly among flashbacks, dream sequences, and carnivalesque reality, and turning one man’s artistic crisis into a grand epic of the cinema. Marcello ...

  2. . Directed by. Federico Fellini. Italy, France, 1963. Drama, Fantasy, Comedy. 139. Synopsis. Struggling to find inspiration for his next project, acclaimed director Guido Anselmi wrestles with his dreams, memories and desires in his search for creativity.

  3. 12 de ene. de 2010 · : a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films.

  4. . Directed by Federico Fellini • 1963 • Italy. Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e mezzo) turns one man's artistic crisis into a grand epic of the cinema.

  5. www.bfi.org.uk › film › 3b1e80a4-111a-5fff-b799-7c50460d6284 (1963) | BFI

    (1963) Federico Fellini’s portrait of the film director as harried ringmaster and unreliable dreamer, spinning gold from his memories and fantasies. Subscribe to watch on BFI Player Buy on Blu-Ray £10.99. Watch and discover. Sight and Sound.

  6. Sin embargo, el tema más famoso de fue compuesto para el trailer de la película y luego, cuando quedó definido ese final de pasarela circense, fue Fellini el que decidió sumarlo al film ...

  7. Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.