Search results
Mark Neveldine. Writer: Gamer. Mark Neveldine was born in Watertown, New York, USA. He is a writer and director, known for Gamer (2009), Crank: High Voltage (2009) and Crank (2006). He has been married to Alison Lohman since 19 August 2009. They have three children.
16 de mar. de 2024 · Continuing our chat with Mark Neveldine and Brian Taylor, directors of Ghost Rider: Spirit of Vengeance, which began here, the duo talk 3D, ratings and more…. A lot of directors who have done 3D action movies have said that the process restricts how much they can move the camera and how fast they can edit, and that’s obviously a signature ...
16 de feb. de 2012 · But just as exciting to another cadre of cult cineastes was the news that the new film would be directed by Mark Neveldine and Brian Taylor, the daredevil duo behind the adrenalized Jason Statham vehicles Crank and Crank: High Voltage. Fango sat down with the filmmakers to find out how they applied their anything-goes style to the Ghost Rider ...
Neveldine directed the Vatican Tapes, a movie that managed to flop on a 13 million dollar budget, and Taylor directed Mom and Dad (the only film with any hint of the Neveldine/Taylor structure to be critically well-received and an excellent bonus episode), but they haven't worked together since Ghost Rider 2.
23 de ago. de 2022 · I look into what the directing duo behind "Gamer" and "Ghost Rider: Spirit of Vengeance" is working on these days and spotlight a few directors who have seem...
5 de ene. de 2012 · At first, Johnny is reluctant to embrace the power of the Ghost Rider, but it is the only way to protect the boy - and possibly rid himself of his curse forever. Directed by Mark Neveldine and ...
23 de jul. de 2015 · Beginning with Crank, their blazingly irreverent 2006 debut, and extending to Ghost Rider: Spirit of Vengeance, a sugar-rush opus that doubles as a “fuck you” to franchise vanilla, Mark Neveldine and Brian Taylor (better known as Neveldine/Taylor) have embodied everything those with a predilection for subversive cinema could hope for.
