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  1. Mamma Roma - Película dirigida por Pier Paolo Pasolini, protagonizada por Anna Magnani, Ettore Garofolo, Franco Citti, Silvana Corsini Mamma Roma - Película - 1962 - Crítica | Reparto | Estreno | Duración | Sinopsis | Premios - decine21.com

  2. Mamma Roma es una película dirigida por Pier Paolo Pasolini con Anna Magnani, Ettore Garofalo. Sinopsis : Mamma Roma es una prostituta de edad madura que trabaja en las calles de Roma. Gracias al ...

  3. MAMMA ROMA. Trailer. Directed by. Pier Paolo Pasolini. Italy, 1962. Drama. 106. Synopsis. In postwar Rome, Mamma is ready to give up her life as a prostitute and bring her son Ettore to live with her in the city. She moves to a respectable neighborhood, hoping that Ettore will go to school, get a good job, and marry.

  4. Más personal y más alegórico. Por eso en el final, cuando Mamma Roma se entera de la muerte de Ettore y mira por la ventana, la misma ventana por la que Ettore miraba curioso anteriormente, su mirada –la lente- se vuelca hacia el horizonte en el que sobresale una basílica, un templo del Señor. Para ellos, los parias de la sociedad, tan ...

  5. Directed by Pier Paolo Pasolini • 1962 • Italy Starring Anna Magnani, Ettore Garofolo, Franco Citti Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Highlighting director Pier Paolo Pasolini’s lifelong fascination with the marginalized and dispossessed, MAMMA ROMA offers an unflinching, neorealistic look ...

  6. Anna Magnani is Mamma Roma, a middle-aged prostitute who attempts to extricate herself from her sordid past for the sake of her son. Highlighting director Pier Paolo Pasolini’s lifelong fascination with the marginalized and dispossessed, Mamma Roma offers an unflinching, neorealistic look at the struggle for survival in postwar Italy. Though initially banned in the country for obscenity ...

  7. Recent reviews. After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid ...