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George Axelrod, the playwright, director and screenwriter who penned the American stage comedy, The Seven Year Itch, which popularized that term and became a film hit, died June 21 in his sleep at ...
George Axelrod: Irony! Interview by Pat McGilligan. Good comedy, George Axelrod once said, is bitter; great comedy, angry. He should know. In the Hollywood of the fifties and sixties, it was mostly comedies that put him at the top of the screenwriting profession: Phffft!, The Seven Year Itch, Bus Stop, Breakfast at Tiffany's, The Manchurian Candidate —as ferocious in its political satire as ...
George Axelrod (* 9.Juni 1922; † 21. Juni 2003) war ein US-amerikanischer Drehbuchautor, aber auch Filmproduzent und Filmregisseur.Er war hauptsächlich tätig während der 1950er und 1960er Jahre. 1961 wurde er für den Oscar nominiert (für die beste Drehbuchadaption im Film Frühstück bei Tiffany, 1961).. Axelrod schrieb auch einige Romane sowie Theaterstücke.
George Axelrod est un dramaturge, scénariste, producteur, réalisateur et acteur américain né le 9 juin 1922 à New York aux États-Unis, et mort le 21 juin 2003 à Los Angeles en Californie. Il est le père de l'actrice puis directrice de casting Nina Axelrod.
George Axelrod is one of the main characters in the 2012 psychological thriller film Elevator. He's a comedian who is among 9 people that get stuck in an elevator with a bomb inside and has to fight to get out alive. He was played by Joey Slotnick. George's story is unknown, the only thing to add is being a comedian. He first appears in the film warming up with some jokes for the party at ...
21 de jun. de 2003 · George Axelrod, Howell, Soskin (1947) Biography After serving in the Army Signal Corps during World War II, The New York-born Axelrod found work writing scripts for radio programs, including "The Shadow," "Midnight" and "Grand Ole Opry," eventually branching into television.
George Axelrod: Irony! Interview by Pat McGilligan. Good comedy, George Axelrod once said, is bitter; great comedy, angry. He should know. In the Hollywood of the fifties and sixties, it was mostly comedies that put him at the top of the screenwriting profession: Phffft!, The Seven Year Itch, Bus Stop, Breakfast at Tiffany's, The Manchurian Candidate —as ferocious in its political satire as ...
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