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This exhibition explores Marsden Hartley's complex, sometimes contradictory, and visually arresting relationship with his native state—from the lush Post-Impressionist inland landscapes with which he launched his career, to the later roughly rendered paintings of Maine's rugged coastal terrain, its hardy inhabitants, and the magisterial Mount Katahdin.
Marsden Hartley was born on January 4, l877, in Lewiston, Maine, to English immigrant parents. In 1893 he moved with his family to Ohio, where he studied at the Cleveland School of Art. Hartley took private lessons with John Semon, a Barbizon-style painter, and in 1898 he took a summer class with Cullen Yates, a local impressionist.
Marsden Hartley (Lewiston (Maine), 4 januari 1877 - Ellsworth (Maine), 2 september 1943) was een Amerikaans kunstschilder en schrijver. Hartley wordt in de Verenigde Staten beschouwd als een van de wegbereiders van een Amerikaanse moderne schilderkunst in een periode dat moderne kunst nog vooral een Europese aangelegenheid was.
1 de nov. de 2016 · Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter, poet, and essayist. Hartley developed his painting abilities by observing Cubist artists in Paris and Berlin. Wikidata Q553259 View or edit the full Wikipedia entry. Information from ...
Marsden Hartley (4 de janeiro de 1877 - 2 de setembro de 1943) foi um pintor modernista, poeta e ensaísta estadunidense do início do século XX. Infância e educação. Hartley nasceu na cidade de Lewiston, no estado norte-americano do Maine. [1] onde seus pais ...
16 de ago. de 2020 · Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter, poet, and essayist. Hartley developed his painting abilities by observing Cubist artists in Paris and Berlin. Wikidata identifier. Q553259 View the full Wikipedia entry.
Marsden Hartley played a key role in ushering in and shaping American modernism in the early-20 th century. While he was not alone in this, his unique approach to subject matter, color, and brushstroke that differentiated him from his peers was largely a result of his heavy immersion in European modernism, which he emulated and used as the foundation for his own art.
