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  1. Andy Kirk was never a major musician (in fact he never really soloed), arranger or personality yet he was a successful big bandleader in the 1930s and '40s.

  2. 28 de may. de 2024 · Andy Kirk, a prominent figure in the jazz world, is often celebrated for his contributions as a bandleader and musician who helped shape the sound of jazz in the 1930s and 1940s. Leading the Twelve Clouds of Joy, Kirk navigated the transitions within the jazz genre, from the swing era to the dawn of bebop, leaving an indelible mark on the music industry.

  3. Andy Kirk. Courtesy of the Kansas City Museum. Andrew Dewey Kirk was born in Kentucky and raised in Denver, where he played the tuba and bass saxophone with a local orchestra. ... Afterward, he worked occasionally with pick-up bands, ran a hotel in New York, and served as an official in the Musician's Union.

  4. 11 de dic. de 1992 · Andy Kirk discography and songs: Music profile for Andy Kirk, born 28 May 1898. Genres: Swing, Big Band, Jazz. Albums include Until the Real Thing Comes Along / Walkin' and Swingin', Floyd's Guitar Blues / Twinklin', and Reefer Songs (1927-1947).

  5. Andy Kirk. As a prominent big band leader, Andy Kirk popularized the Kansas City sound nationwide. Not a virtuoso musician or charismatic showman like his contemporaries Bennie Moten and Count Basie, the unassuming Kirk excelled at arranging music, organizing musicians, and conducting.

  6. Andrew Dewey Kirk (May 28, 1898 – December 11, 1992) was an American jazz saxophonist and tubist who led the Twelve Clouds of Joy, a band popular during the swing era. He was born in Newport, Kentucky, United States. Kirk grew up in Denver, Colorado, where he was tutored by Wilberforce Whiteman, Paul Whiteman's father. Kirk started his musical career playing with George Morrison's band, but ...

  7. 19 de feb. de 2020 · There’s an account of the song Christopher Columbus, where Burrows shows us the racist cover of the sheet music and refers to lyrics appended to the tune by Andy Razaf. However, the records he analyses, by Fletcher Henderson and Andy Kirk, were just instrumentals based on the Henderson stock arrangement.

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