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  1. Joseph Eggleston Johnston II (13 de mayo de 1950) es un director y productor de cine estadounidense, responsable de películas como Hidalgo, Parque Jurásico III, Cielo de octubre y Jumanji, entre otras.

  2. en.wikipedia.org › wiki › Joe_JohnstonJoe Johnston - Wikipedia

    Joe Johnston (born c. 1950) is an American film director, producer, writer, and visual effects artist. He is best known for directing effects-driven films, including Honey, I Shrunk the Kids (1989); The Rocketeer (1991); Jumanji (1995); Jurassic Park III (2001); The Wolfman (2010); and Captain America: The First Avenger (2011).

  3. www.imdb.com › name › nm0002653Joe Johnston - IMDb

    Joe Johnston. Director: Captain America: The First Avenger. Joseph Eggleston Johnston II is an American film director from Texas who is known for directing the cult classic film The Rocketeer, Jumanji, Honey, I Shrunk the Kids, The Wolfman, October Sky, The Pagemaster, Jurassic Park III and Captain America: The First Avenger.

  4. Mini Bio. Joseph Eggleston Johnston II is an American film director from Texas who is known for directing the cult classic film The Rocketeer, Jumanji, Honey, I Shrunk the Kids, The Wolfman, October Sky, The Pagemaster, Jurassic Park III and Captain America: The First Avenger.

  5. 18 de may. de 2020 · Galactic designer: Joe Johnston at work on The Empire Strikes Back. “George [Lucas] wanted a new trooper,” Joe Johnston, visual effects art director on Empire and legendary filmmaker in his own right, tells StarWars.com.

  6. 3 de ene. de 2022 · El director Joe Johnston, el artista conceptual original que ayudó a crear Boba Fett, ha comparte sus impresiones sobre el regreso del icónico cazarrecompensas de Star Wars en ' El libro de Boba Fett ' de Lucasfilm, que en su mayor parte, ha gustado a los fans al menos en su primer episodio de la serie Disney +.

  7. 22 de jun. de 2023 · Joe Johnston on the Legacy of Indiana Jones • Lucasfilm. 06/22/2023 Dan Brooks. The filmmaker and ILM great talks to Lucasfilm.com about his contributions to the Indy series and its impact on his work. To borrow a phrase from Indiana Jones, one might argue that Joe Johnstons concept art belongs in a museum.