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  2. www.rtve.es › television › 20240528'El mañana nunca muere': cinco curiosidades que tienes que saber...

    Hace 4 días · Hay que resaltar la fotografía, firmada por Robert Elswit. Cuando rodó esta película no empezaba a ser conocido y poco a poco se fue convirtiendo en uno de los mejores de su sector.

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    • Robert Elswit gave Production Design 80% of his Oscar?
    • Robert Elswit, ASC — The Traditionalist - The American Society of ...
    • Robert Elswit - Contact Info, Agent, Manager | IMDbPro
    • Robert Elswit - Oscars Wiki
    • Robert Elswit, ASC — The Traditionalist - The American Society of ...

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  4. www.emmys.com › news › online-originalsHow Ripley Got Away With Murder (Exclusive) | Television Academy

    Hace 1 día · Behind the scenes of Ripley with Robert Elswit (far left), Andrew Scott and Steven Zaillian. Netflix . May 31, 2024 . Online Originals. How Ripley Got Away With Murder (Exclusive) Four-time Emmy nominee Steven Zaillian unpacks his new thriller’s most shocking scene. Phil Pirrello ...

  5. theonlinephotographer.typepad.com › the_online_photographer › 2024Robert Elswit's B&W Cinematography for 'Ripley'

    Hace 1 día · The cinematographer turned out to be Robert Elswit, a Hollywood heavy hitter with big-time movies to his credit, such as There Will Be Blood as well as many of Paul Thomas Anderson's other films, The Bourne Legacy, TV movies like Steel Magnolias, and the aforementioned Good Night and Good Luck. Elswit worked with the director of Ripley, Steven ...

  6. jenesaispop.com › 2024/05/18 › 475708'Ripley' es una gran serie de Netflix aunque no lo parezca

    18 de may. de 2024 · Una mezcla entre la sombría y evocadora estética del cine negro clásico y la sofisticación visual de la trilogía de la incomunicación de Antonioni (la fotografía es de Robert Elswit, habitual del...

  7. www.hollywoodreporter.com › tv › tv-featuresRipley: Making of Netflix Series Starring Andrew Scott

    Hace 2 días · “What makes this image so striking, aside from the look of the space, is the costume,” says DP Robert Elswit. “If it were shot in color or a gray, it wouldn’t read as well.

  8. www.architecturaldigest.com › story › design-in-ripley-here-are-our-top-5-favoriteWe’re Enamored With the Design in ‘Ripley’—Here Are Our Top 5...

    4 de may. de 2024 · Beautifully filmed by Oscar-winning cinematographer Robert Elswit, the overall feel is one of 1940s film noir, creating a sense of heightened suspense at every corner. The symbolic contrast of...

  9. theasc.com › articles › blood-for-oil-there-will-be-bloodThe American Society of Cinematographers | Blood for Oil: There...

    10 de may. de 2024 · May 10, 2024. Blood for Oil: There Will Be Blood. Robert Elswit, ASC reteams with director Paul Thomas Anderson on this saga of an unsociable oil prospector who strikes it rich but loses his soul. Stephen Pizzello. American Cinematographer. This article was originally published in AC Jan. 2008.