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  1. Hace 1 día · Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes' Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way composers ...

  2. 30 de may. de 2024 · El carácter profundamente revolucionario de la Consagración… se encuentra en el vórtice generado por tres fuerzas: la producción de Serguéi Diáguilev, artífice del ballet ruso; la coreografía de Vaslav Nijinsky, quien brindó ricas aportaciones performativas a la danza; y la música de Ígor Stravinski, el elemento de mayor ...

  3. en.wikipedia.org › wiki › The_FirebirdThe Firebird - Wikipedia

    Hace 3 días · The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.

  4. Hace 3 días · The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev 's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.

  5. 22 de may. de 2024 · En el manuscrito la obra está dedicada “À la gloire de Dieu”. Desde el título, esta sinfonía se presenta como una obra anti-modernista; prácticamente es una suerte de retroceso de varias décadas por parte de uno de los mayores exponentes de la música moderna.

  6. 14 de may. de 2024 · Igor Stravinsky, Russian-born composer whose work had a revolutionary impact on musical thought and sensibility just before and after World War I, and whose compositions remained a touchstone of modernism for much of his long working life. His most notable composition was the ballet The Rite of Spring.

  7. 11 de may. de 2024 · Petrushka is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev’s Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto.