Search results
Hace 1 día · lizanne is an award winning and the new yorkselling author of five books, her nfiction aims to inform readers by providing a ake on important parts of history that have long overlo. she's today to talk about her latest book, the sisterhood. please give a warm welcome to liza mundy. thank you so much for that kind introduction. and thank you all so much for being. this is my first trip to ...
Hace 5 días · Two South Asian Women Directors in Cannes’ Official Selection Is a Miracle: Payal Kapadia and Sandhya Suri on Their Groundbreaking Films. Kapadia’s “All We Imagine As Light” is the first ...
Hace 2 días · De llegar, tal y como hemos podido ver en otros estrenos de Filmin y de otras plataformas de streaming, se podría estrenar pasados aproximadamente unos tres meses desde su estreno en los cines; es decir, a finales de agosto o ya entrados en el mes de septiembre. Suscripción mensual a Filmin. PVP en Filmin — 9,99 €.
Hace 4 días · Sverre Sørdal ’s camera captures the city’s changing face through day and night in long, beautifully arranged shots that have the feel of a love letter. As for the film’s tonal and narrative consistency, it’s safe to say that Kandhari is equally good at delivering snappy comedic scenes and humorous horror, but never at the same time.
Hace 4 días · The first Indian film to premiere in competition at Cannes since 1994, Payal Kapadia's All We Imagine As Light is a luminous portrait of Indian womanhood, and announces the arrival of a major dramatic voice. Kapadia—whose mesmerizing protest docu-fiction A Night of Knowing Nothing won the L'Œil d'or for Best Documentary at Cannes in 2021, but was never released in India—has quietly staked ...
Hace 4 días · The Sisterhood's influence drastically changed both Monique and Slick; with the two breaking up and the former coming out as a political lesbian." "Then in 2019, seemingly overnight, Sinfest saw yet another radical shift in theme, this time towards far-right political conservatism.
Hace 4 días · As the city which famously never sleeps but does succumb to the darkness of night, Mumbai stirring itself, preparing for dawn, getting moving on local trains, is a familiar sight. But in Kapadia’s film the trains are a crucial constant presence, as they carry Prabha (Kusruti) and Anu (Prabha) to their hospital, where work is, and then back to their tiny room for rest and respite.
