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18 de jun. de 2024 · The 81-year-old piano giant McCoy Tyner has passed away at his home in Northern New Jersey. His work as the harmonic cornerstone of the John Coltrane Quartet of 1960-1965, and Tyner’s own subsequent recordings and bands, made him a hugely influential jazz piano stylist.
12 de jun. de 2024 · The Latin Side of McCoy Tyner is the latest installment in a critically acclaimed series that began in 1996 with The Latin Side of John Coltrane. It’s the work of a musically gifted, bilingual artist, a master trombonist who grew up admiring jazz’s greatest practitioners but, at the same time, cutting his Latin Jazz teeth with ...
10 de jun. de 2024 · ffmpeg + onsets and frames + pianoteq together give a McCoy Tyner masterclass of his performance of For Tomorrow. all the neural net masterclasses can be found on this playlist: • Neural Net ...
Hace 4 días · It’s a little-known fact that on February 20, 1982, at Carnegie Hall, Palmieri, and Tyner shared the stage in a historic performance billed as “Salsa Meets Jazz—Masters of the Keyboard,” it commemorated the 2nd Anniversary of the “Salsa Meets Jazz” series at The Village Gate.Although the event was not recorded, it marked a significant milestone in the history of jazz and salsa ...
Hace 5 días · Known for his powerful sound and percussive left-hand comping, Tyner possesses an instantly identifiable sound and remains one of the most one of the true innovators of his instrument. Our Song of the Day is “Passion Dance,” a Tyner composition from his 1967 album The Real McCoy .
Hace 3 días · Paul's Mall, Boston, MA 1978-03-30 - audience rcording Set I: 01 Intro - 0:00 02 The Greeting - 1:29 03 Hand In Hand - 26:25 04 Pictures - 36:20 Set II: 05 Festival In Bahia - 1:06:50 06 Moment's Notice - 1:53:23 07 Hand In Hand - 2:15:15 McCoy Tyner - piano Joe Ford - alto sax, flute George Adams - tenor & soprano sax, flute Charles Fambrough - bass Woody Theus - drums Guilherme Franco ...
19 de jun. de 2024 · Conrad Herwig has made Latinizing jazz classics a specialty. Tyner's heavily accented piano style isn't obsesssively expanded to the septet Herwig heads here. The arrangements welcome the occasionally laidback nature of Latin-American music.
