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Hace 6 días · The song’s journey to the public was fraught, marked by initial rejections and a significant shift in production hands from Geoff Emerick to George Harrison. This switch brought about a new version that, while diverging from its initial course, still nestled its way into the hearts of those who chanced upon it.
Hace 4 días · It represented, instead, the blossoming of Trower’s innate melodicism, and maybe that’s it: Bridge of Sighs was the album that made the world realise that Robin Trower was much, much more than a mere Hendrix copyist. This 50th anniversary edition of the album contains rich-pickings for Robin’s host of still-fervent followers.
Hace 3 días · Martin and engineer Geoff Emerick were drinking scotch whisky to calm their nerves for the task of mixing the audio for a live worldwide broadcast, and had to scramble to hide the bottle and glasses beneath the mixing desk after being told they were about to go on air.
13 de may. de 2024 · Studio Two, EMI Studios, Abbey Road Producer: George Martin Engineer: Geoff Emerick. The Beatles recorded eight takes of the rhythm track for the Sgt Pepper song ‘Good Morning Good Morning’ on this evening, in a session which began at 7pm and ended at 2.15am the following morning.
Hace 4 días · "Emerick first started working at EMI at the age of 15, as an assistant to engineer Norman Smith. As an unpaid trainee, he witnessed the first-ever EMI recording session by the finalized line-up of The Beatles in 1962, during which the group recorded for the first time with new drummer Ringo Starr on what would eventually become their first hit single "Love Me Do."
11 de may. de 2024 · Tal nombre se debía a la marca de cigarrillos que fumaba el ingeniero de sonido Geoff Emerick, que tenía una silueta del Everest dibujada en sus cajetillas. Del Everest a Abbey Road. A juego con este nombre, los Beatles acariciaban la idea de viajar al Everest en jet privado, y hacerse allí la foto para la portada del álbum.
Hace 20 horas · Matthew Fisher, another Procul Harum escapee, was in the producer’s chair but Trower generously attributes much of the potency of the album’s sonic attack to Geoff Emerick, The Beatles ...
