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Hace 3 días · La performance se basa en el concepto de los intonarumori, instrumentos creados por el compositor futurista italiano Luigi Russolo para generar música con sonidos de máquinas y objetos ...
Hace 4 días · Luigi Russolo (1885–1947) wrote The Art of Noises (1913), an influential text in 20th-century musical aesthetics. Russolo used instruments he called intonarumori, which were acoustic noise generators that permitted the performer to create and control the dynamics and pitch of several different types of noises
Hace 3 horas · Russolo strove to emulate this music by inventing twenty-seven Intonarumori (noise-machines) named after the sounds that they produced: “howling, thunder, crackling, crumpling, exploding, gurgling, buzzing and hissing.” Footnote 53. Russolo’s French contemporary Edgard Varèse also challenged the cordon sanitaire dividing noise from music.
2 de jul. de 2024 · Prominent members of Futurism (left-to-right) Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni and Gino Severini in front of Le Figaro, Paris, February 9, 1912. As mentioned earlier, F.T. Marinetti was joined by many influential painters, artists, and architects within Italy to further develop his movement.
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10 de jul. de 2024 · Reproducciones de Arte de Calidad de Museo de Obras Maestras Famosas, Pintadas por Artistas Graduados de la Academia. | Luigi Russolo - Sin título (742) “Para poder ver debemos primero olvidar el nombre de aquello que estamos mirando.”.
2 de jul. de 2024 · Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, and Gino Severini published several manifestos on painting in 1910. Like Marinetti, they glorified originality and expressed their disdain for inherited artistic traditions.
