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14 de may. de 2024 · Employing Tavia Nyong'o's theory of afro-fabulation, I examine the myriad ways the piece negotiates Black presence and camouflage within spaces haunted by Spain's role in the Trans-Atlantic slave trade and looks to the archive to reach into the past, collapse time and imagine futures.
3 de may. de 2024 · In particular, this chapter provides a collage of three concepts – Zakiyyah Iman Jackson’s Plasticity, Tavia Nyong’o’s Afro-fabulation, Fred Moten and Stefano Harney’s Undercommons – to provide a door to a different world, where human being might not pivot on the violence of racialization and sexualization.
6 de may. de 2024 · We welcome essay abstracts of 500-800 words in length exploring a topic related to the above or additional topics. Deadline June 1st, 2024. Please submit abstract via email to both Social Text issue co-editors Che Gossett and Tavia Nyong’o at: tavia.nyongo@yale.edu and cheg@sas.upenn.edu.
18 de may. de 2024 · The Lyrics: Reflections of Longing and Insecurity. The lyrics of “Do You Love Me?” paint a picture of someone desperately seeking validation and reassurance in their relationship. The repetition of the questioning phrase “Do you love me?” reveals their deep-seated insecurity and need for affirmation.
7 de may. de 2024 · “There have been very ridiculous efforts to manufacture false claims of violence and harassment,” said Tavia Nyong’o, an American Studies professor at Yale University and member of Faculty...
6 de may. de 2024 · This year's jury comprises Jenny Bilfield, Phillippa Cole, Anthony Roth Costanzo, Brandon Patrick George, Jamie Martín, Tavia Nyong’o, Asadour Santourian, Kathy Schuman, Tanya Bannister, Chris Williams, Tim Mar, Alasdair Tait, Sara Davis Buechner, and John Glover.
20 de may. de 2024 · While the protagonists’ narration runs the gambit from melancholy brooding to satire, Saidiya Hartman’s practice of “critical fabulation” and Tavia Nyong’o’s kindred “afro-fabulation” offer means of describing their creative output.
