Yahoo España Búsqueda web

Search results

  1. Brian Russell De Palma (Newark, Nueva Jersey; 11 de septiembre de 1940) es un director de cine y guionista estadounidense. Primeros años [ editar ] De Palma nació el 11 de septiembre de 1940 en Newark , Nueva Jersey , el más joven de tres hermanos, hijo del cirujano ortopédico Anthony Federico De Palma, de origen italiano, y de Viviene De ...

  2. Brian De Palma. Director: Body Double. Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family.

  3. Brian Russell De Palma ([de ˈpalma]; born September 11, 1940) is an American film director and screenwriter. With a career spanning over 50 years, he is best known for work in the suspense, crime and psychological thriller genres.

  4. Brian De Palma es un director y guionista nacido en el año 1940 en Estados Unidos conocido por Misión imposible, El precio del poder, Los intocables de Eliot Ness, Carrie, Atrapado por su pasado, Misión a Marte, Ojos de serpiente, La dalia negra, Corazones de hierro y Vestida para matar.

  5. Mini Bio. Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family.

  6. 11 de sept. de 2023 · De 'El precio del poder' hasta 'Misión: imposible', estos son los mejores trabajos del legendario cineasta, en orden según las notas en IMDb. Por Mireia Mullor Actualizado: 11/09/2023. Las ...

  7. Veteran director Brian De Palma is the subject of the new documentary "De Palma," a film by directors Jake Paltrow and Noah Baumbach that opens Friday. We spoke to him about his career in movies, the controversy over his depiction of violence and women, the question of whether TV is in the new cinema, and whether any great popular art has been ...