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Run Devil Run is the eleventh solo studio album by Paul McCartney, released in 1999. It features mostly covers of both familiar and obscure 1950s rock and roll songs, along with three original McCartney compositions written in the same style, including the title track, making it the second McCartney covers album, after his Russian ...
4 de oct. de 1999 · Run Devil Run is the eleventh solo studio album by Paul McCartney, released in 1999. It features mostly covers of both familiar and obscure 1950s rock and roll songs, along with three original McCartney compositions written in the same style, including the title track.
Run Devil Run es el duodécimo álbum de estudio del músico británico Paul McCartney, publicado por la compañía discográfica Parlophone en octubre de 1999. Incluyó versiones de clásicos del rock and roll de la década de 1950 así como tres nuevas composiciones de McCartney compuestas en el mismo estilo: «Run Devil Run», «Try Not To ...
21 de may. de 2023 · You imagine near the top of this impressive roster of stars, though, is the time he got behind the kit for Paul McCartney, playing on the former Beatles’ 1999 record Run Devil Run. He explained to Rhythm Magazine how it came about: “Paul and David Gilmour were friends from the past,” he said.
(born June 29, 1948) Deep Purple’s drummer since he joined the band (age 19) in 1968. Armed with a dazzlingly fast technique, Ian has also worked with Paice, Ashton & Lord, Gary Moore and Whitesnake. A recent highlight was guesting on Sir Paul McCartney’s ‘Run Devil Run’ (1999) rock’n’roll album.
10 de mar. de 1999 · Album Notes. Run Devil Run was recorded a year after Linda’s sad death in 1998. At the time, Paul recounted his reasons for making it: “People have said to me one of the things to get over a tragedy is to stay really busy, really busy, but I thought, no, I am not going to do that. I see that one but it's just too easy. It's a bit like denial.
1 de mar. de 1999 · Ian Paice from Deep purple sat at the drums some days, Dave Mattacks played on others. Keyboard duties were divided between Pete Wingfield and Geraint Watkins. As Paul had already told Chris Thomas, the point was for them to just play and have fun. Nothing should be fussed over; no time could be spent on applying spit and polish.
