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As If to Nothing is the second independent album by Scottish composer Craig Armstrong, featuring collaborations with Bono of U2, Mogwai, Photek, Evan Dando, King Crimson, and former Big Dish vocalist Steven Lindsay. It was released on 19 February 2002, on the EMI label in the United Kingdom, and Astralwerks in the United States.
After working with music for his entire career, Craig Armstrong was drawn to the idea of the changing, ethereal effect of melody and tone for his solo work, As if to Nothing (Melankolic, 2002). Working with acclaimed artists such as Bono, Evan Dando from The Lemonheads, Glasgow rock band Mogwai and David McAlmont, Armstrong employed a range of ...
After several projects done work-for-hire in the film and pop world, Craig Armstrong returns to where he originally started with his own material with the release of his second long-play CD As if to Nothing, collaborating with acts such as Bono, Evan Dando (Lemonheads), Mogwai, Photek, Antye Grei-Fuchs (Laub).
17 de jul. de 2002 · As If to Nothing. Craig Armstrong. 2002. 2.2. By Paul Cooper. Genre: Electronic / Rock. Label: Astralwerks. Reviewed: July 17, 2002. Best known for scoring film soundtracks, Craig Armstrong...
After several projects done work-for-hire in the film and pop world, Craig Armstrong returns to where he originally started with his own material with the release of his second long-play CD As if to Nothing, collaborating with acts such as Bono, Evan Dando (Lemonheads), Mogwai, Photek, Antye Grei-Fuchs (Laub).
Twenty years on from its original release, Craig Armstrong’s ‘As If To Nothing’ - his electronic/orchestral masterpiece featuring musical heavyweights Bono, Mogwai, Evan Dando, King Crimson and others - is being reissued for the first time on vinyl in a super-deluxe, super-limited edition run via Hydrogen Dukebox. + Dinked Archive Edition No.10 ...
Bono, Evan Dando, Mogwai, Photek, and David McAlmont all attempt star turns, and less well-known performers from Big Dish, Alpha, and Laub get in on the festivities as well. But Armstrong's string arrangements are still the focal point, to the extent that most of the collaborators are relegated to a back seat.
