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  1. Debutó en 1923, tocando con Frank Teschemacher y Jimmy McPartland. Realizará después giras con Art Kassel (1926) y Ben Pollack (1927), con quien marchó a Nueva York, donde también tocará con Red Nichols. En los años 1930 formará parte de las big bands de Ray Noble (1935), Tommy Dorsey (1936-37) y Benny Goodman (1938), antes de montar su ...

  2. 16 de jun. de 2020 · By 1930, Bud had formed an original, unmannered style of tenor sax, free of “novelty” effects and with a distinctive Jazz timbre; as the first white saxophonist to do this he is often compared with his black contemporary Coleman Hawkins.

  3. En los años 1930 formará parte de las big bands de Ray Noble (1935), Tommy Dorsey (1936-37) y Benny Goodman (1938), antes de montar su propia banda, «Summa cum Laude Orchestra». Tras la Gran Guerra, tocará en pequeños grupos liderados por músicos como Eddie Condon, y permanecerá unos años con su trío en Chile, Perú y Brasil.

  4. 15 de mar. de 1991 · 5/13/1935: Squareface: Gene Gifford Orchestra: Jazz/dance band, with talk: instrumentalist, tenor saxophone : Victor: BS-89797: 10-in. 5/13/1935: Dizzy glide: Gene Gifford Orchestra: Jazz/dance band, with vocal: instrumentalist, tenor saxophone : Victor: BS-99447: 10-in. 3/10/1936: I'se a muggin' Teagarden Boys ; Trumbauer Swing Band ...

  5. en.wikipedia.org › wiki › Bud_FreemanBud Freeman - Wikipedia

    Freeman played with Tommy Dorsey's Orchestra (19361938) and Benny Goodman's band in 1938, before forming the Summa Cum Laude Orchestra (1939–1940). Freeman joined the U.S. Army during World War II and headed a U.S. Army band in the Aleutian Islands.

  6. 29 de may. de 2013 · From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Bud Freeman, from the era of 1927-1935. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave.

  7. 30 de jun. de 2020 · Bud Freeman was more at home in settings where he was a soloist. His session of Dec. 4, 1935, which found him leading a sextet that included trumpeter Bunny Berigan and Eddie Condon, was more to his liking, resulting in four hot performances including “ Tillie’s Downtown Now ” and “ The Buzzard .”