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Have a Good Time But Get Out Alive! is a studio album by the Iron City Houserockers. Although well-received critically, commercial success eluded the Iron City Houserockers outside of the rust belt. Among the strongest tracks are the title track, "Don't Let Them Push You Around", "We're Not Dead Yet", the two-part medley of "Old Man ...
8 de may. de 2020 · Nick DeRiso Updated: May 8, 2020. Cleveland International Records. Joe Grushecky's critically acclaimed 1980 Iron City Houserockers album Have a Good Time (But Get Out Alive) will...
Now, Cleveland International Records has reissued his sophomore album, recorded with his band The Iron City Houserockers, in a 2-CD or 2-LP expanded edition. 1980's Have a Good Time...But Get Out Alive! is packed with aggressive yet joyful melodies blurring the lines between the bar-band (or Jersey Shore) sound, punk, new wave, and ...
28 de jul. de 2020 · Tags: 1980, Have A Good Time But...Get Out Alive!, Ian Hunter, Iron City Houserockers, Joe Grushecky, Mick Ronson, Steven Van Zandt. An exclusive interview with Joe Grushecky about the classic second album from Pittsburgh's Iron City Houserockers.
25 de abr. de 2017 · By Max Bell. ( Classic Rock ) published 25 April 2017. In 1970, Mick Ronson changed the career of David Bowie and went on to work with Lou Reed, Bob Dylan, John Mellencamp, Morrissey and more. Classic Rock profiles the guitar hero. After the rise comes the fall.
The band's follow-up album, Have a Good Time but Get Out Alive!, was featured in Rolling Stone magazine as its showcase review, with the headline "New American Classic", and The Village Voice called it "the strongest album an American band has made this year." The tandem tavern-set tracks "Old Man Bar" and "Junior's Bar" were ...
17 de may. de 2022 · Mick Ronson live on stage with The Hunter Ronson Band in 1975. (Image credit: Ian Dickson/Redferns) “He floored us,” Visconti said. “When David and I met him, we knew he’d fit in looks-wise, but we had no idea what was coming until he picked up his Les Paul and played for us. “He really didn’t have to be taught the few songs we’d already worked up with John Cambridge.
