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  1. 21 de nov. de 2016 · The show features an exemplary performance of Masami Akita's trademark Japanoise, but the addition of Balázs Pándi's improv drumming gives the whole evening an almost musical, jazz feel. 44 minutes.

  2. 2 de may. de 2024 · The show features an exemplary performance of Masami Akita 's trademark Japanoise, but the addition of Balázs Pándi's improv drumming gives the whole evening an almost musical, jazz feel. This 44-minute, live release comes in a gatefold digisleeve; Edition of 500.

  3. The special event on 28th September 2016 took place under the roof of the legendary FAC251 building, where many of Manchester's musical elite set foot, being the original home of Factory Records HQ. The show features an exemplary performance of Masami Akita's trademark Japanoise, but the addition of Balázs Pándi's improv drumming gives the ...

  4. 30 de sept. de 2016 · Japanese noise legend Masami Akita AKA Merzbow stepped onto the narrow dimly lit FAC251 stage, to his left positioned behind a standard drum kit sat Hungarian drum collaborator Balazs Pandi wearing Doom T-shirt; Akita picked up and strapped on a DIY guitar – though this was as far from the imaginings of Leo Fender and Adolph ...

  5. Merzbow / Balazs Pandi - Live at FAC251 05-CSR 233CD "The king of Japanese noise, Merzbow, joined on stage by Hungarian drummer extraordinaire, ... The show features an exemplary performance of Masami Akita's trademark Japanoise, but the addition of Balázs Pándi's improv drumming gives the whole evening an almost musical, jazz feel.

  6. Merzbow, born Masami Akita, is a noise/industrial music pioneer. Since the early '80s, he has issued more than 400 albums. His fondness for junk art, fascination with ritualized eroticism, and passion for animal rights fuel his creative vision. He employs tape manipulations, metal percussion, found objects, live electronics, power tools, and ...

  7. Vegan Straight Edge Noise Project. by Masami Akita. 秋田昌美によるヴィーガン・ストレイト・エッジ・ノイズ・プロジェクト。 80年代初頭のノイズ・インダストリアル・シーンに参加し海外のレーベルを中心にリリースを始める。 90年代にはグラインドコアの影響を受けデスメタルのレーベルRelapseからアルバムをリリース。 2000年代にはmegoの「punkなcomputer music」に共鳴、ラップトップによるライブ手法を採用した。 2003年頃から「動物の権利」(アニマルライツ)の観点からヴィーガン(完全菜食主義)を実践している。 「捕鯨反対」「イルカ漁反対」「毛皮反対」等をテーマに作品を制作している。