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  1. Los Hermanos Bragaglia. Historia de la Fotografía. Turno Noche. Anton Giulio Braggaglia: Autorretrato (1913) Nacimiento y Procedencia. Los hermanos, son originarios de Italia, naturales de Roma. Hijos de Francesco y Maria. Anton Giulio, (1890 - 1960), Arthuro (1893 - 1962) y Carl (1894 - 1998). Formación Académica e Influencias.

  2. Walther Photographs. Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.

  3. Arturo Bragaglia | MoMA. Italian, 1893–1962. Works. Exhibition. Publication. Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.

  4. Géneros. Desglose por tipo. Acreditado con. Arturo Bragaglia (1893 - 1962) fue un actor de Italia conocido por Milagro en Milán, Bellísima, Le sei mogli di Barbablù, I Teddy boys della canzone, Los dos oficiales, Don Lorenzo, Carne de horca, Le cameriere, A fil di spada y Cose da pazzi.

  5. Anton Giulio Bragaglia (11 February 1890 – 15 July 1960) was a pioneer in Italian Futurist photography and Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.

  6. Arturo Bragaglia (7 January 1893 – 21 January 1962) was an Italian actor. He appeared in more than one hundred films from 1938 to 1961. Selected filmography. References. External links. Arturo Bragaglia at IMDb. Categories: 1893 births. 1962 deaths. Italian male film actors. People from Frosinone. Male actors from Lazio. Italian actor stubs.

  7. Seeking to revitalize painting, Futurist Anton Giulio Bragaglia worked with his brother Arturo Bragaglia, an accomplished photographer, to develop a method of capturing movement they called photodynamism.