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  1. Baldassare Galuppi o españolizado Baltasar Galuppi (Burano, 18 de octubre de 1706 - Venecia, 3 de enero de 1785) fue un compositor veneciano, famoso por sus óperas, principalmente en el campo de la ópera bufa.

  2. Baldassare Galuppi (18 October 1706 – 3 January 1785) was a Venetian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in ...

  3. Baldassare Galuppi (born Oct. 18, 1706, island of Burano, near Venice [Italy]—died Jan. 3, 1784, Venice) was an Italian composer whose comic operas won him the title “father of the opera buffa.” His nickname derives from his birthplace, Burano. Galuppi was taught by his father, a barber and violinist, and studied under A. Lotti in Venice.

  4. Baldassare Galuppi. (18 October 1706 — 3 January 1785) =. Alternative Names/Transliterations: Il Buranello. =. Name in Other Languages: בלדאסארה גאלופי, バルダッサーレ・ガルッピ, بالداسار غالوبي, Бальдассаре Галуппи, Բալդասարե Գալուպպի, =. Aliases: Baldassarre Galuppi, Baldassarre, detto il Buranello Galuppi, איל בוראנלו, il Buranello, Il Buranello, =.

  5. La principal calle comercial que ver en Burano es Vía Baldassare Galuppi, repleta de restaurantes, heladerías y tiendas, que desemboca en la Piazza Baldassare Galuppi donde se encuentra la iglesia.

  6. 17 de may. de 2018 · Galuppi, Baldassare ( b Island of Burano, nr. Venice, 1706; d Venice, 1785). It. composer. From 1728 comp. several operas for It. ths. Visited London 1741–3, with considerable operatic success at King's Th., Haymarket. Ass. choirmaster of St Mark 's, Venice, 1748, choirmaster 1762. Visited St Petersburg 1766–8.

  7. Baldassare Galuppi was an important and highly successful composer in 18th century Italy. A student of Antonio Lotti he was well schooled in solid counterpoint, and his compositions form a perfect marriage between the “old fashioned” counterpoint and the “modern” predominance of melody.