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Kenneth Noland (Asheville, 10 de abril de 1924 - 5 de enero de 2010) [1] fue un pintor abstracto estadounidense, uno de los más importantes cultivadores del estilo color field. También, en los años cincuenta practicó el expresionismo abstracto y en los sesenta el minimalismo .
Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement.
Kenneth Noland (Asheville, 10 de abril de 1924 - 5 de enero de 2010) fue un pintor abstracto estadounidense, uno de los más importantes cultivadores del estilo color field. También, en los años cincuenta practicó el expresionismo abstracto y en los sesenta el minimalismo . Entre 1946 y 1948, Noland asistió a clases del Black Mountain College.
Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter. Noland helped establish the Washington Color School movement.
View Kenneth Noland’s 1,426 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, prints and multiples, and works on paper for sale and learn about the artist.
5 de ene. de 2010 · Kenneth Noland. American Painter. Born: April 10, 1924 - Asheville, North Carolina. Died: January 5, 2010 - Port Clyde, Maine. Movements and Styles: Color Field Painting. , Post-Painterly Abstraction. , Washington Color School. , Abstract Art. "I think of painting without subject matter as music without words." 1 of 6. Summary of Kenneth Noland.
6 de abr. de 2024 · Kenneth Noland was an American painter of the Abstract Expressionist school. He was one of the first to use the technique of staining the canvas with thinned paints and of deploying his colours in concentric rings and parallels, shaped and proportioned in relation to the shape of the canvas.
