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Wall of sound (en español, muro de sonido; también llamado Spector sound) [1] [2] es una fórmula de producción para las grabaciones de pop y rock desarrollada por el productor musical estadounidense Phil Spector a principios de la década de 1960 en los estudios Gold Star en Los Ángeles, California.
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew".
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion -free sound system that could also serve as its ...
29 de ene. de 2020 · The Monster Sound System When the Grateful Dead debuted their Wall of Sound, it was unlike anyone has ever seen at that point – 70 tons, three stories high and 100 feet wide. It was innovative and technologically advanced. And it set the bar high in concerts and live performances. Bassist Phil Lesh told Rolling […]
Su técnica de orquestación, el llamado « muro de sonido » (que él mismo describió como «una aproximación wagneriana al rock and roll »), consistente en grabar múltiples pistas de acompañamiento, superponiéndolas hasta crear un sonido compacto y algo apabullante, influyó en el trabajo de muchos otros artistas, como The Beach Boys y The Beatles, q...
Wall of sound (en español, muro de sonido; también llamado Spector sound) es una fórmula de producción para las grabaciones de pop y rock desarrollada por el productor musical estadounidense Phil Spector a principios de la década de 1960 en los estudios Gold Star en Los Ángeles, California.
5 de abr. de 2018 · The Wall of Sound is a music production technique for pop and rock music recordings developed by record producer Phil Spector at Gold Star Studios during the 1960s. Spector, working with audio engineers such as Larry Levine, created a dense, layered, and reverberant sound that reproduced well on AM radio and jukeboxes popular in the era.
