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  1. 15 de jun. de 1979 · Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.Marcuse argues that art is the only form or expression that can take up where religion and philosophy fail and contends that aesthetics offers the last refuge for two ...

  2. historical substance of art: its own dimension of truth, protest and promise, a dimension constituted by the aesthetic form. Thus, Buchner's Woyzeck, Brecht's plays, but also Kafka's and Beckett's novels and stories are revolutionary by virtue of the form given to the content. Indeed the con­ tent (the estabHshed reality) appears in these

  3. aesthetic experience is a supplementation of this partition—a third term that cannot be described as a part but as an activity of redistribution, an activity that takes the form of a neutralization. What I call the aesthetic dimension is this: the count of a supplement to the parts that cannot be described as a part itself. It is another kind of

  4. Understanding aesthetic innovation in the context of technological evolution. Academy of Management Review, 38: 332–351.Link, Google Scholar; Eisenman, M. 2017. A multimodal investigation of the institutionalization of aesthetic design as a dimension of competition in the PC industry. In M. Höllerer, T.DaudigeosD.

  5. 1981), interest in the aesthetic dimension of organiz-ing developed within the intellectual movement called the “cultural turn” in organizational studies. 218 Academy of Management Annals January.

  6. To examine neoliberalism and entrepreneurship from an aesthetic dimension is to see how, as Herbert Marcuse reminds us, “the given reality is necessarily sublimated: the immediate content is stylized, the ‘data’ are reshaped and reordered” along aesthetic as much as politico-economic principles (7).