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  1. Karel Reisz. Director. en. Sábado noche, domingo mañana (1960) El jugador (1974) Nieve que quema (1978) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con votaciones, listas y críticas ...

  2. 25 de nov. de 2002 · From Wikipedia, the free encyclopedia. Karel Reisz (21 July 1926 – 25 November 2002) was a Czech-born British filmmaker who was active in post–war Britain, and one of the pioneers of the new realist strain in 1950s and 1960s British cinema. Description above from the Wikipedia article Karel Reisz, licensed under CC-BY-SA, full list of contributors on Wikipedia.

  3. Hace 4 días · Reisz was born on 21 July 1926 in Ostrava, Czechoslovakia. At the insistence of his parents, he came to England when he was twelve, just before the Nazis invaded his country (his parents stayed behind and perished in a concentration camp). Reisz attended Leighton Park, a Quaker school in Reading, where David Lean had been educated a few years ...

  4. Karel Reisz. Director: The French Lieutenant's Woman. Karel Reisz was born on 21 July 1926 in Ostrava, Czechoslovakia [now Czech Republic]. He was a director and producer, known for The French Lieutenant's Woman (1981), Saturday Night and Sunday Morning (1960) and Morgan! (1966). He was married to Betsy Blair and Julia Coppard. He died on 25 November 2002 in London, England, UK.

  5. 28 de nov. de 2002 · Karel Reisz, Czech refugee who became leading director of British New Wave before making The French Lieutenant's Woman and other Hollywood dramas, dies at age 76; photo (M)

  6. 27 de nov. de 2002 · Karel Reisz, the Czech-born director who became a pioneer of the Free Cinema movement in 50s and 60s Britain, has died in London aged 76. Reisz made his reputation with his revolutionary portrait ...

  7. 23 de mar. de 2022 · When refugee crises occur, I think of my late father, Karel Reisz. A celebrated film-maker, he was someone who helped radically transform British cinema during the 1950s and 1960s.