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Alto Saxophone – P.J. Perry. Arranged By – Rick Wilkins ( tracks: 2), Rob McConnell ( tracks: 1, 3 to 11) Bass – Steve Wallace. Co-producer – Rick Wilkins. Design – Reid Morris. Drums – Terry Clarke. Executive-Producer – Jim West. Liner Notes – Rob McConnell. Mastered By – Renée Marc-Aurèle.
3 de ene. de 2003 · The Rob McConnell Tentet: The Rob McConnell Tentet. by Jack Bowers March 1, 2001. A sure sign that the economic slowdown has crossed our northern border is that Canada’s leading big band, the Boss Brass, has been superseded (after thirty–two years) by the Rob McConnell Tentet.
The Boss Brass. Rob McConnell & The Boss Brass With Phil Woods. Rob McConnell & The Boss Brass. Rob McConnell. Bob Florence Limited Edition. Tara Davidson. Listen to music by Rob McConnell Tentet on Apple Music. Find top songs and albums by Rob McConnell Tentet including The Christmas Medley, Speak Low and more.
ROB MCCONNELL JAZZ LINES PUBLICATIONS SERIES SIX ARRANGEMENT SET. Recorded by Rob McConnell and the Boss Brass. Arranged by Rob McConnell. Six Jazz Big Band Arrangements. Jazz Lines Publications. JLP-1057. $410.00. More Info.
Rob McConnell & The Boss Brass set a standard and defined the Canadian sound for big band music for decades. Rob McConnell assembled the original Boss Brass from Toronto's finest studio musicians. The instrumentation of the The Boss Brass was originally sixteen pieces, consisting of trumpets, trombones, french horns and a rhythm section, but no saxophones (woodwinds).
31 de ene. de 2007 · Indeed, the tunes selected and arranged by Rob McConnell for his latest Tentet CD all have strong and enduring melodies. In addition, they are given the full-out, straight-ahead jazz treatment by McConnell, who has been, without question, one of jazz's most interesting and inventive arrangers over the past 30 years.
21 de feb. de 2004 · The Rob McConnell Tentet: Music of the Twenties. by Jack Bowers February 21, 2004. To anyone who may be wondering why Rob McConnell would devote an entire album to music that is almost eight decades old, all I can say is, “listen.” Not only don’t they write ‘em like that anymore, they almost never play ‘em this way either.
