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La Virgen leyendo. Esta obra está basada en un modelo de Bernardino Luini, Busto di poetessa, que se conserva en el Guggenheim de Nueva York. En la galería del arzobispado de Milán se conserva otra copia semejante en tamaño y ejecución, allí identificada como Santa Catalina o Joven leyendo (inv. 370, 39´2 x 31 cm).
1-20 de 29 CARGAR MÁS. List of all 29 obras de arte by Bernardino Luini. Ir a la página de artista.
Bernardino Luini (born c. 1485—died 1532, Milan) was a Renaissance painter of Lombardy, best known for his mythological and religious frescoes. Little is known of Luini’s life; the earliest surviving painting that is certainly his work is a fresco (1512) of the “Madonna and Child” at the Cistercian monastery of Chiaravalle, near Milan.
Luini was an Italian painter and draughtsman of the generation of Lombard painters active around 1500 that was influenced by Leonardo and Raphael, combining the innovations of the High Renaissance with elements of the Milanese tradition to create the Lombard Renaissance school. The scarcity of documents on Luini’s life has made it difficult ...
Bernardino Luini. Crucifixión y escenas de la vida de Jesucristo por Bernardino Luini. El cuadro Crucifixión y escenas de la vida de Jesucristo, obra de Bernardino Luini, representa una visión emotiva y detallada de los últimos momentos de Jesús en la Tierra, así como de diversos episodios significativos de su vida.Luini, un destacado exponente del Renacimiento lombardo, utiliza en esta ...
Bernardino Luini depicted this passage from the New Testament (Mark 6:27–28) several times. The version in the Galleria degli Uffizi in Florence is the closest to the one in the Museo del Prado.They differ solely in the fact that the Uffizi version includes a female servant alongside Salome. Although the Bible states that the Baptist’s head was shown to Salome on a dish or tray, 15th ...
Bernardino Luini was a North Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend".
