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Koloman Moser, Venus in the Grotto. c.1914. With his departure from the Wiener Werkstätte in 1907, Kolo Moser returned to the medium of his early years – painting. A visit to Ferdinand Hodler in Geneva in 1913, whom Moser first met in 1903 at the Vienna Secession, heralded a stylistic change in his oeuvre toward more austere, two-dimensional ...
Hace 2 días · Koloman Moser (1868 – 1918) fue un artista austríaco que tuvo mucha influencia en el arte gráfico de principios del siglo XX. Moser realizó diseños para cerámicas, revistas, moda, joyería ...
Koloman Moser ( Viena, 1868ko martxoaren 30a - ibidem, 1918ko urriaren 18a) austriar artista izan zen. Vienako Sezesioko eta Wiener Werkstätteko sortzaileetako bat izan zen. Artelan sorta zabala diseinatu zuen: liburuak, posta-zigiluak, beirateak, portzelanak, zeramika, bitxiak, altzariak... Moserrek Wiener Akademie eta Kunstgewerbeschule-n ...
From 1899 Koloman Moser taught there himself, from 1900 as a professor. From 1895 Koloman Moser worked as a freelance graphic designer. Intensely committed to the progressive art trends of his day, Koloman Moser worked in all fields of the decorative and applied arts, designing furniture, glass objects and jewelry as well as leather goods, textiles, book bindings and even toys.
Koloman Moser (1868 – 1918) One of the most prodigious and versatile of the remarkable group of artists and designers who founded and shaped the Secession movement and the Wiener Werkstätte, Moser brought to his designing the training and temperament of an artist. He excelled in interior and exhibition design, applied arts, graphic design ...
Koloman Moser, Armchair. 1903. In 1904 the Wiener Werkstätte, founded by Koloman Moser, Josef Hoffmann, and Fritz Waerndorfer, received their most prominent commission – the interior design of the Purkersdorf Sanatorium. The industrialist Viktor Zuckerkandl had entrusted architect Hoffmann with the construction of something “between a ...
