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  1. In the 2011 film The Founding of a Party, it was reported that Liu was required to gain 10kg in order to play a 30-year old Mao Zedong, a feat he achieved by eating 20 eggs a day. Personal life. Liu married French (of Jewish descent) photographer Anais Martane in Beijing on July 5, 2009. Their first child, a son named Nuoyi, was born on October ...

  2. Clinical Neuroscience. Liu Ye. Hermann-Rein-Str. 3. 37075 Göttingen. Max-Planck-Institut für Multidisziplinäre Naturwissenschaften.

  3. Liu Ye, born into a literati family in 1964, has his artistic roots deeply embedded in modern literature and fairy tales. His work often reflects influences from Mayakovsky's staircase poetry and Andersen's fairytales, which have shaped his perspective and helped him become a prominent figure in contemporary art.

  4. As described by Taiwanese collector Yao Chien, “Liu Ye’s works are done with such accuracy and finesse. … he always manages to finish his paintings with such carefulness and attention to detail, even on a small canvas.” [2] Taiwanese Collector Yao Chien in front of his collection. On the left, a female portrait by Liu Ye. 5.

  5. www.christies.com › en › lotLIU YE | Christie's

    LIU YE. Among contemporary Chinese artists, Liu Ye became best known less for his overtly politicised social commentaries and more for his wistful, dream-like paintings, full of deeply personal myths and fairy tales. While his paintings of child-soldiers in farcical scenarios may have offered satirical commentary on the uncertainty and folly ...

  6. 4 de oct. de 2020 · In 2007, Liu Ye embarked on the series of the bamboo – a motif used often as a metaphor for the integrity of the literati in traditional Chinese art. The bamboo is thus a well-chosen motif that thematically symbolises integrity and purity whilst also visually exuding geometrical purity via the stark line of the bamboo stalk.

  7. Red No. 2. Details. LIU YE (B. 1964)Red No. 2 dated and signed ‘2003 Liu ye’ and signed in Chinese (lower left) acrylic on canvas 195 x 195 cm. (76 3/4 x 76 3/4 in.) Painted in 2003. Provenance. Schoeni Art Gallery, Hong KongAnon. Sale, Christie’s HK, 28 May 2016, lot 61Acquired from the above sale by the present owner. Literature.

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