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Kajirō Yamamoto est un réalisateur et scénariste japonais né le 15 mars 1902 à Tokyo et mort le 28 septembre 1974. Introduction Kajirō Yamamoto; Biographie; Filmographie Comme réalisateur Années 1920 Années 1930 Années 1940 Années 1950 Années 1960 Comme scénariste;
Horse was written and directed by Kajirō Yamamoto. Akira Kurosawa is credited as the film's production coordinator, but in his autobiography, Something Like an Autobiography, Kurosawa likened his actual role to "first assistant director". It is the last film Kurosawa worked on as an assistant before starting his own directing career.
Kajirō Yamamoto (山 本 嘉 次郎, Yamamoto Kajirō ? ) Es un director y guionista japonés nacido en 15 de marzo de 1902 en Tokio y murió el 28 de septiembre de 1974 . Resumen
Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the ...
Those Who Make Tomorrow (明日を創る人々, Asu o tsukuru hitobito) is a 1946 Japanese film directed by Akira Kurosawa, Hideo Sekigawa and Kajirō Yamamoto (who was also co-writer). It was produced to illustrate the purpose of the workers' union at the Toho film studios, as the Allied Forces endorsed the formation of unions as part of the democratisation process during the post-World War ...
Kajirō Yamamoto is probably best known to us for being Akira Kurosawa's mentor, and that's probably why this film gets so many views. Yamamoto's biggest films may have been his trilogy about the Imperial Naval Air Forces, of which "Naval Battle of Hawaii and Malaysia" was the biggest budget Japanese film up to that time.
Two sisters, one a dancer and the other a script supervisor at a big movie studio, become embroiled in union activities when a strike is called in sympathy with striking railroad workers, one of whom boards with the sisters and their parents. The girls' father argues with them about their strike but finds his views changing when he loses his job. Considered a lost film.
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