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23 de may. de 2024 · Female nudes appear in several of his paintings and prints with either biblical or mythological subjects, as well as in some of his drawings, such as a standing female represented as Cleopatra, in a red chalk study in the J. Paul Getty Museum in Los Angeles (inv. no. 81.GB.27 ). 7 In only a few cases, however, are the drawings of nudes directly ...
20 de may. de 2024 · Geertje Dircx - Geertje Dircx (Edam, 1610-1615 - in of na 1656) was een minnares van de Hollandse kunstschilder Rembrandt van Rijn en het kindermeisje van zijn zoon Titus. Geertje Kuijntjes - Geertje Kuijntjes (Gorinchem, 19 juli 1905) is sinds het overlijden van Nelly de Vries-Lammerts, op 27 augustus 2015, de oudste ingezetene van Nederland.
Geertje Dircx wurde um 1610 in der nordholländischen Stadt Edam in bescheidenen Verhältnissen geboren. [1] Ihr Vater war Schiffszimmermann. Als junge Frau arbeitete sie zunächst in einem Gasthaus in der Seefahrerstadt Hoorn. Dort lernte sie den Schiffstrompeter Abraham Claeszoon kennen und heiratete ihn. Wie viele Seemannsfrauen wurde sie ...
Dirk Vis. Rembrandt en Geertje Dircx. Haarlem, 1965, pp. 9, 11, 82–91, 107–10, pl. 3, calls it the pendant to the Frick portrait and identifies the sitters of the two works as Rembrandt and Geertje Dircx, who lived together as husband and wife during the 1640s; dates the two pictures 1643. R. W. Scheller. "Review of Vis 1965."
20 de oct. de 2021 · He also took on a widow by the name of Geertje Dircx. Rembrandt soon left Geertje to pursue another woman, Hendrickje Stoffels. The Baroque painter and Hendrickje lived together in harmony, despite the terms arranged in Saskia’s will, which prevented Rembrandt from remarrying.
It has often been suggested that the model was therefore Geertje Dircx, but there are two objections to this idea: first, she is specifically recorded as Titus's 'dry' nurse in a document of October, 1649;[4] secondly, the style of both the Haarlem and the present drawing suggests an earlier date, c.1638, before Geertje Dircx is known to have had any contact with Rembrandt.
