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6 de jul. de 2010 · Books. The Ode Less Travelled: Unlocking the Poet Within. Stephen Fry. Random House, Jul 6, 2010 - Language Arts & Disciplines - 384 pages. If you can speak and read English, you can write poetry. The trick is knowing where to start. Stephen Fry, who has long written poems, and indeed has written long poems, for his own private pleasure ...
In the "The Ode Less Travelled" one learns how to write poetry. Or in my case, how to read poetry, for i have no intention to write it. English is not even my first language, and yet I've read 300 and so pages that talk about iambic pentameters, and sonnets, and villanelles, etc.
By Robert Frost. Two roads diverged in a yellow wood, And sorry I could not travel both. And be one traveler, long I stood. And looked down one as far as I could. To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear;
17 de ago. de 2006 · As its subtitle suggests, "The Ode Less Travelled" is written as a primer to both beginning and experienced poets who need, shall we say, a jump start to their creativity. Each chapter offers a discussion, with examples, of a particular meter, rhyme scheme or form, and suggests exercises at the end for readers to create their own examples.
The Ode Less Travelled. ... Author: Fry Stephen. 664 downloads 4947 Views 942KB Size Report. This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove your content from our site.
17 de ago. de 2006 · The Ode Less Travelled 作者 : Stephen Fry 出版社: Gotham 副标题: Unlocking the Poet Within 出版年: 2006-8-17 页数: 384 定价: USD 25.00 装帧: Hardcover ISBN: 9781592402489
The Ode Less Travelled Quotes Showing 1-10 of 10. “The English language is like London: proudly barbaric yet deeply civilised, too, common yet royal, vulgar yet processional, sacred yet profane. Each sentence we produce, whether we know it or not, is a mongrel mouthful of Chaucerian, Shakespearean, Miltonic, Johnsonian, Dickensian and American.
