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Lola Montes - Película dirigida por Max Ophüls, protagonizada por Martine Carol, Peter Ustinov, Anton Walbrook, ... Argumento: Cécil Saint-Laurent (novela "La Vie Extraordinaire de Lola Montès") Guión: Annette Wademant, Max Ophüls, Jacques Natanson; Música: Georges Auric; Fotografía: Christian Matras; Distribuye en cine: Vértice 360;
Drama Narra la historia de Lola Montes (1821-1861), cortesana y bailarina famosa en toda Europa. Nacida en Irlanda, Lola (Martine Carol) fue la amante de grandes hombres como el músico húngaro Franz Liszt o Luis I de Baviera. Ya en el ocaso de su carrera, trabajó en un circo de Nueva Orleáns, Luisiana, donde realizaba un número acrobático mientras un maestro de ceremonias (Peter Ustinov ...
27 de feb. de 2022 · Lola Montès (1955) : Max Ophüls ♥♥♥. Lola Montez (1821–61) คือหญิงสาวที่ถูกสังคมยุคสมัยนั้นตีตรา ตำหนิต่อว่าแสดงพฤติกรรมไม่เหมาะสม เพียงเพราะต้องการเป็น ...
24 de may. de 2017 · Lola Montès (1955) Events in Lola Montès’ life are related by a ringmaster (Peter Ustinov) in a circus where she’s now an object of morbid curiosity; flashbacks show her own memories. A film about objectification, patriarchy, spectacle and storytelling itself, then, is delivered with great visual panache.
Lola Montès (1955), Gamma Films. 21. The King Gave Her a Controversial Gift. In the summer of 1847, Lola outdid even herself. After months of needling, she somehow convinced King Ludwig to turn her into the Countess of Landsfeld, despite the fact that only Bavarian citizens could get titles and the fact that Lola wasn’t even a noble in the ...
B y the 1850s, Lola Montès is one of most notorious women of her time. Her love affairs with composers, kings and other men of distinction are legendary. But now, her passion spent, her illusions shattered, she is finally reduced to the status of circus exhibit. Night after night, she must perform scenes from her life in a circus tent before a ...
Other articles where Lola Montès is discussed: Max Ophüls: …Earrings of Madame De), and Lola Montès (1955; The Sins of Lola Montes). Despite a weak performance by Martine Carol in the title role, and despite the fact that a heavily edited version of the film is the most common, many critics cite Lola Montès as one of the greatest…
