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  1. www.metacritic.com › movie › amelieAmélie - Metacritic

    2 de nov. de 2001 · Amélie, a young waitress in a tiny Parisian café, discovers an old box of childhood treasures hidden beneath her apartment floorboards which leads her on an odyssey to transform the lives of her neighbors, and perhaps even her own.

  2. 25 de abr. de 2001 · Despite being caught in her imaginative world, Amelie, a young waitress, decides to help people find happiness. Her quest to spread joy leads her on a journey where she finds true love.

  3. www.disneyplus.com › pt-br › moviesVer Amélie | Disney+

    Ver Amélie | Disney+. Amelie, uma jovem inocente e ingénua em Paris, decide ajudar os que a rodeiam e descobre o amor.

  4. ro.wikipedia.org › wiki › AmélieAmélie - Wikipedia

    Amélie. Amélie este un film francez din 2001, regizat de Jean Pierre Jeunet. Filmul este o comedie cu puternice influențe new wave, freecinema și dogma prin faptul că spectatorul nu este lăsat să-și imagineze nimic, acesta primește informații precise constant de la narator (a cărui voce se aude în off) precum și datorită stilului ...

  5. 16 de nov. de 2001 · At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

  6. Synopsis: Amélie (Audrey Tatou), the heroine of Jean-Pierre Jeunet’s award-winning whimsical romance, is no ordinary young woman. A waitress in a Montmartre, Paris bar, Amélie observes people and lets her imagination roam free. One day, she suddenly finds her purpose in life: to solve other people’s problems. We follow her around a lovingly and vividly photographed Paris of saturated ...

  7. Amélie. Le fabuleux destin d'Amélie Poulain. Jean-Pierre Jeunet. Francia, 2001. La extraña anomalía espacio‑temporal que ha provocado la pandemia mundial en curso ha tenido consecuencias devastadoras en la asistencia de público a las salas de cine, pero extraordinarias en cuanto a la programación de las mismas.

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