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17 de may. de 2024 · After Ankur (The Seedling) in 1974, and Nishant (The Night’s End), presented in Competition at the Festival de Cannes in 1976, Indian director Shyam Benegal delivered the third instalment of his trilogy on rural oppression: Manthan (The Churning).
18 de may. de 2024 · The scanning and digital clean-up were conducted at a Chennai lab under the supervision of a renowned Bologna-based film restoration lab, with both Benegal and his long-time cinematographer...
29 de may. de 2024 · Unpaved roads, lack of basic health facilities and gender hierarchies are seen alongside lopsided development shown through Govind Nihalani’s long shots of the farm and huts with thatched...
18 de may. de 2024 · Shot by DoP Govind Nihalani in rural Gujarat, western India, the film is produced by 500,000 farmers who contributed towards its making, under the banner Gujarat Milk Co-Op Marketing Federation...
14 de may. de 2024 · It featured Smita Patil, Naseeruddin Shah and Govind Nihalani in the lead roles The 77th Cannes Film Festival, which kickstarts today, will see eight Indian films being screened for the delegates.
26 de may. de 2024 · The film’s cinematographer Govind Nihalani, Benegal’s constant collaborator, is equally satisfied. “The negative was in a terrible condition when we got it in 2014 from Shyam Babu asking if we could do something with it,” says Shivendra Dungarpur, who has restored the 35 mm print beset by green mould and fading flicker problems.
18 de may. de 2024 · Both Shyam Benegal and Govind Nihalani, the cinematographer of the film, have been involved in the restoration of the film.
