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14 de dic. de 2020 · File: Ambrogio Bergognone (c.1460-1523) - The Crucifixion with the Virgin, Saint John and Mary Magdalen - 1960P57 - Birmingham Museums Trust.jpg From Wikimedia Commons, the free media repository Jump to navigation Jump to search
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Milan, 1988, p. 92, as tentatively ascribed to Bernardino Bergognone and dating to the last decade of the fifteenth century; compares them to the four Prophets by Ambrogio Bergognone in the Brera, and especially to the prophet Joel; notes that they are inferior in quality and must derive from a similar source in Ambrogio's work.
Ambrogio Bergognone. c. 1460-1523. Ambrogio (di Stefano) da Fossano, called Borgognone or Bergognone. Lombard School. Active from 1481; died probably 1523. He worked chiefly in MIlan and Pavia. His style, which changed little through his career, was chiefly influenced by Foppa.
Ambrogio Bergognone. c.1460–1523. View profile. The Crucifixion with the Virgin, Saint John and Mary Magdalen Birmingham Museums Trust. The Agony in the Garden The National Gallery, London. Christ carrying the Cross The National Gallery, London. The Virgin and Child The National Gallery, London.
AUTHOR Bergognone (Ambrogio da Fossano) DATE 1512 - 5 OBJECT TYPE AND MATERIAL Tempera on panel DIMENSIONS cm 60 x 40 INVENTORY 2090 ROOM X Work on display. Set in a shadowy interior, the Virgin has momentarily ceased praying to cover Jesus with a transparent veil as he sleeps in her lap.
After oscillating between Vincenzo Foppa and Ambrogio Bergognone, the work was assigned some years ago to Donato de’ Bardi of Pavia. Its reattribution to Bergognone is due to the discovery of a small panel with Three Singing Angels which is believed to have formed part, with this panel of a portable altar, intended for the private devotions of some distinguished client.
