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22 de dic. de 2012 · API. artworks/1560. In Why Not Use the “L”? the individual expressions of the three Depression-era passengers on the “L”—or “el”, an elevated train that rose above the city streets—range from distraction and exhaustion to apprehension. The walls of the car are papered with advertisements, which Reginald Marsh had meticulously ...
29 de may. de 2014 · This ritual is nothing new and was, in fact, one of the pet subjects of Reginald Marsh (1898 –1954), an American artist famous for his paintings of New York City in the ’20s and ’30s. His city scenes are remarkable for their palpable sense of movement—bodies walk or loiter on street corners, crowds swell as New York’s lights pulsate ...
Reginald Marsh was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work.
雷金纳德·马什（Reginald Marsh）是一位出生于巴黎的美国画家，他最著名的作品是描绘20世纪20年代和30年代纽约市的生活。拥挤的科尼岛海滩场景、流行的娱乐活动如杂耍和滑稽剧、妇女和失业的男人都是他作品中反复出现的主题。他用蛋彩画和油画作画，并创作了许多水彩画、水墨画和版画。
Leben. Reginald Marshs Eltern waren die Maler Alice Randall und Frederick Dana Marsh.Er war Student und Lehrer an der Art Students League of New York.Er war in zweiter Ehe verheiratet mit der Malerin Felicia Meyer Marsh.. Marsh ist besonders bekannt für Bilder des New York und Coney Islands der 1930er und 1940er Jahre. Seine Themenwahl war häufig von Sexualität und Humor geprägt und galt ...
20 de oct. de 2021 · Reginald Marsh (March 14, 1898 – July 3, 1954), who lived at 11 East 12th Street in the area in the 1930s, was one of the key figures of the Fourteenth Street School, an influential group of artists in the 1920s and 30s who lived and worked in this area. The Fourteenth Street School came to redefine realist painting, focusing on the immediate ...
Reginald Marsh was born in Paris, moving to America by age two. His parents, both artists themselves, were well-off: Marsh’s grandfather had made his fortune in the Chicago meatpacking business. Marsh’s formal artistic training began with his matriculation at Yale in 1916. By the time of his graduation, he was art director of the Yale Record.
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