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Download stock image by Charlotte Bronte - Portrait of Ellen Nussey - High quality fine art images, pictures, photos and videos from Bridgeman Images. Experts in licensing art, culture and history images.
17 de dic. de 2018 · It argues that Ellen Nussey, a friend of the Brontës, played an influential role in the editing of Elizabeth Gaskell’s biography of Charlotte Brontë, and that Nussey and Gaskell presented the family in a way that encouraged readers to associate the work of the Brontës with religious and moral genres of literature.
18 de jul. de 2013 · Abstract. To the Editor: You with much urgency beg me to give you some reminiscences of the Brontë family. The life of Charlotte Brontë, viewed apart from her high gifts and genius as an authoress, was a very unsensational life; for the most part it was a life of domestic duty, self-sacrifice, fidelity to whatever she believed to be right, fortitude in suffering, and patient resignation ...
Creator: Nussey, Ellen, 1817-1897 Title: Ellen Nussey Collection: Dates: 1832-1899, undated: Extent: 1 box (.42 linear feet) Abstract: Includes letters written and received by Ellen Nussey, a lifelong friend and correspondent of British author Charlotte Brontë, as well as Nussey’s pocket diary from 1844 and a lock of Brontë’s hair.
The life of Charlotte Bronte, viewed apart from her high gifts and genius as an authoress, was a very unsensational life; for the most part it was a life of domestic duty, self-sacrifice, fidelity to whatever she believed to be right, fortitude in suffering, and patient resignation under all inevitable trials. AbstractTo the Editor: You with much urgency beg me to give you some reminiscences ...
Mary Taylor to Ellen Nussey, shortly before 24 September 1842; P. B. Brontë to Francis H. Grundy, 25 October 1842; P. B. Brontë to Francis H. Grundy, 29 October 1842; Mary Taylor to Ellen Nussey, 30 October and 1 November 1842; Constantin Heger to Revd. P. Brontë, 5 November 1842;
13 de jul. de 2024 · Brontë spent a few months during the summer of 1839 caring for what she called the “riotous, perverse, unmanageable cubs” of the Sidgwick family. Not only did she detest the work, she felt awkwardly marginal within the family circle. She was so ill at ease that she preferred to write this letter (to her close friend Ellen) in pencil rather than venture into the drawing room to procure ...
