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  1. 2010: The Year We Make Contact. An American astronaut is sent on a joint U.S.-Soviet space mission to Jupiter to find out what happened to the missing crew of the original Jupiter mission. The price before discount is the median price for the last 90 days. Rentals include 30 days to start watching this video and 48 hours to finish once started.

  2. 2010 - El año que hicimos contacto es una película dirigida por Peter Hyams con Roy Scheider, Helen Mirren, John Lithgow, Bob Balaban .... Año: 1984. Título original: 2010: The Year We Make Contact. Sinopsis: Nueve años después de que la USS Discovery se perdiese en el espacio, una expedición conjunta de los Estados Unidos y la Unión Soviética es enviada a Júpiter para reactivar el ...

  3. 2010: The Year We Make Contact. The thrilling sequel to Stanley Kubrick's sci-fi masterpiece, "2001: A Space Odyssey," stars Academy Award-nominee Roy Scheider ("Jaws," "All That Jazz") as an American astronaut sent on a joint U.S.-Soviet space mission to Jupiter in an effort to find out what happened to the missing crew of the original Jupiter ...

  4. Watch 2010: The Year We Make Contact | Netflix. On a mission to investigate an abandoned spacecraft orbiting Jupiter, an international crew encounters strange phenomena and a sentient computer. Watch trailers & learn more.

  5. www.imdb.com › title › tt00868372010 (1984) - IMDb

    2010: Directed by Peter Hyams. With Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban. A joint USA-Soviet expedition is sent to Jupiter to learn exactly what happened to the "Discovery" and its H.A.L. 9000 computer.

  6. Purchase 2010: The Year We Make Contact on digital and stream instantly or download offline. In the year 2001, the spaceship Discovery is betrayed by its on-board computer, HAL, while on a mission to Jupiter. Nine years later, with the United States and Russia on the brink of war, the superpowers launch a joint mission to return to the Discovery in 2010: The Year We Make Contact.

  7. What we get in "2010" is not an artistic triumph, but it is a triumph of hardware, of special effects, of slick, exciting filmmaking. This is a movie that owes more to George Lucas than to Stanley Kubrick, more to "Star Wars" than to Also Sprach Zarathustra. It has an ending that is infuriating, not only in its simplicity, but in its inadequacy ...