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  1. Descubre todas las películas de la filmografía de Elio Petri. De sus inicios hasta el final de sus 26 años de carrera.

  2. The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this remarkable, visceral, Oscar-winning thriller. Petri maintains a tricky balance between absurdity and realism in telling the Kafkaesque tale of a Roman police inspector (a commanding Gian Maria Volontè) investigating a heinous crime—which he himself ...

  3. 19 de jun. de 2003 · The Films of Elio Petri. One of the most politically charged filmmakers to emerge in the European cinema of the 1960s, Elio Petri has often been overshadowed by such contemporaries as Bertolucci and Pasolini. Ripe for reexamination, his sleek oeuvre bears witness to a rare melding of Marxist ideology and cinematic sophistication. Beginning his ...

  4. 24 de abr. de 2024 · Elio Petri (born January 29, 1929, Rome, Italy—died November 10, 1982, Rome) was an Italian motion-picture director and screenwriter. Petri’s formal education was limited; most of his formative experiences occurred on the streets, in his neighbourhood, and in the local cell of the Italian Communist Party , of which he was a militant member until 1956.

  5. La décima víctima (La víctima número diez) es una película dirigida por Elio Petri con Marcello Mastroianni, Ursula Andress, Elsa Martinelli, Salvo Randone .... Año: 1965. Título original: La decima vittima. Sinopsis: En un mundo futuro, ciertas personas que adoran la violencia practican "La Gran Caza": diez jugadores se matan entre sí alternando los papeles de cazador y presa.

  6. Descubre películas, series y cortos dirigidas por Elio Petri disponibles en Filmin. Inicio Películas Series Colecciones Festivales Más Últimos días Novedades Próximamente The Filmin Times Temas Recomendador Promociones Regala Filmin Blog Prensa ...

  7. 17 de mar. de 2020 · Elio Petri died suddenly of cancer in Rome on November 12, 1981 at the age of 53 years old. Why is he important? Petri’s work seamlessly jumped genres and, as a result, didn’t establish a singular, easily recognizable visual style in the way his peers, such as Fellini, did.